Matthias Gommel |
* 1970 in Leonberg (DE), lives and works in Karlsruhe (DE)
This ambiguity of promising obstacles could be interpreted as symptomatic of contemporary life forever in transit between new places and lifestyles. In this way, the non-place of the guidance system becomes a metaphor for the eternal journey, and the uniform play of the cordons like the play of ocean waves, through which the journey takes place. As in the old song A Life on the Ocean Wave, which can be read and heard here, the necessity of an arrival or a destination fades into the background of a life in transit. Such a life remains a romantic vision, yet one that bears within itself a certain tragedy; for pulling up one’s roots is still today often a flight from inhuman living conditions, followed by an endless state of transition amidst bureaucracy and illegality. Even contemporary art, which looks upon myths of faraway places skeptically, is caught between the romantic and the tragic. The name “Ocean Wave” chosen by the Dutch artist Bas Jan Ader for a small boat is an allusion to the song quoted here: in 1975 Bas Jan Ader sailed out into the Atlantic in it for the performance In Search of the Miraculous, never to be heard from again. (JB) Untitled (Passage), 2011 |